The digital installation developed for the MJHLII at the EPFL has a strong identity and is surrounded by a series of visual supports. These supports required the production of a common visual language to give a unique and direct identity. The stylistic choice was guided and inspired by the story that belongs to the Montreux Jazz Festival and the collective atmosphere of the neon lights, smoke, stage and music I chose a typeface with a Swiss identity (made by Optimo PX Grotesque) that had a digital connotation linked to the space and the archive.